November 2, 2011

Comedy at the Expense of Others


Not fifteen minutes after our train arrived in Paris from Chamonix–Mont Blanc, we boarded the underground metro en route to Le Montclair Hostel. The train was crowded prior to our embarkation and even more so after ten people filed in before Tyler and me. Our transition from the waiting platform to the bus itself went smoothly, but those behind us were not so lucky. Comfortably situated in my position, I watched several other citizens cram their way onto the train before the comedy began. Imagine the scene in The Lord of the Rings when Gandalf faces off against the Belrog and yells “YOU. SHALL NOT. PAASSSS!” In this case, the people of Paris were the Belrog and the metro car doors were Gandalf.
One chap managed to entrain only to be stopped in his tracks when the sliding doors closed on his backpack. People getting clothing and other objects caught in subway doors has been a longstanding joke on television and in movies but this was real life, and I was stoked about it. A look of panic fell across his face as he struggled to free his bag from the train’s grasp. Once he yanked his backpack free and the doors reopened, another group pounced on the opportunity to flood the already imbued train. This time, the threshold closed even more violently, trapping two women face-to-face. An audible, “OO!” and subsequent struggles of these women (the subjects) and curses provoked a loud, involuntary chuckle from me (the spectator). I watched helplessly, as they reached over each other’s shoulders and forced the doors open once again. As I stood bewildered as to why these people refused to wait the entire two minutes and ten seconds for the next train, another mess of Frenchmen, this time three people abreast, tried to charge the open gates only to get crushed by the dismissive portal. It was chaos, and it was hilarious.
Laughing fit is an understatement. This was one of those situations where, even if you try your hardest not to laugh, you remember the calamity and cannot maintain composure. My attempts to conceal my amusement were honest, but I fear they were ultimately futile. Whether the subjects of said folly knew I was laughing at them, I am unsure; other onlookers were surely entertained, making the situation that much funnier. Surely (hopefully), even some of the victims could see the humor. If the entire metro car had celebrated the undeniable folly of a few (including the subjects themselves), this event would have had an immense impact on the positive energy throughout all of Paris. Seeing as I may have been the only one laughing out loud, I kept my delight to myself as best I could.
The next day, we visited the Eiffel Tower and, once again, found ourselves laughing at the expense of complete strangers. There is an ancient art form I have seen practiced and heard about in friendly conversation. It is self-serving but harmless to others; meddling but not truly invasive in other people’s business; wholly entertaining with minimal risk of detrimental consequences. This art is known as, “Taking Pictures of People Taking Pictures,” and it is hilarious. Many friends have dabbled in this practice but I was a stranger to it before this Eiffel Tower shoot. The tower is situated to the northwest of a large park, the Champs de Mars. Imagine the typical tourist picture with the Eiffel Tower in the background; there is an 85% chance that was taken from the Champs de Mars. The field is flooded with people posing, jumping in the air, and pretending to hold the tower in the palm of their hand – searching for that one great photo of them in Paris. On the other side of the lends, photographers contort their body into unnatural positions, lie on their stomach, and just look goofy in general trying to capture that moment. Either of these subjects, when photographed from a spectator’s point of view, offer fine entertainment. For some reason, observing other people involved in a photo shoot is funny. People’s behavior is funny, in general, but accentuated when the lens is on them.

Right now, as I reflect on these instances of comedic fortune, I am sitting in the last row of pews in Notre Dame de Paris. One of the most significant buildings in Paris, its construction began in 1160 under Maurice de Sully and was completed in 1345 after various remodels and add-ons. Notable historical events associated with Notre Dame include: Heraclius of Caesarea called for the Third Crusade (1185); the Wolves of Paris, a man-eating wolf pack in the winter of 1450 was killed after being lured into the city by the furious Parisian public (1450); the coronation of Napoleon Bonaparte – he is a pretty big deal in France (1804); Victor Hugo published The Hunchback of Notre Dame (1831); Joan of Arc was beatified and canonized (1909 and 1920, respectively); The Te Deum Mass, a celebration of the liberation of Paris may or may not have been interrupted by sniper fire (August 26, 1944); Andrew Leede wrote Comedy at the Expense of Others (2011).
Sitting in this holy place, one of the most important historical buildings in all of Europe, I write about laughing at the folly of others. While I consider myself wholly non-religious, my agnostic tendencies fabricate a sense of curiosity and possibility that are exemplified when around religiously spiritual people or in places of worship. Naturally, while reminiscing of metro doors slamming on citizens and taking pictures of people taking pictures, I cannot decide if this situation is:
A)   Fitting (confessing my guilty pleasures in a house of God)
B)    Satirically ironic (does Jesus get a kick out of human folly Himself?)
C)    Mildly inappropriate
D)   All of the above

This notion conjures another, bigger question: When is comedy at the expense of a stranger ever appropriate or inappropriate? What factors determine said propriety? To me, it comes down to the subject – the person being laughed at because of their folly. There are two situations the subject could be in; they are either privy to the fact that they are being laughed at, or they are completely unaware. I put forth the idea that if the subject suspects they are being laughed at, they fall into the “aware” category.
Let us dissect this, starting with the unaware subject. This is a complicated scenario for many reasons. Should one’s actions be significant outside of their own personal realm? That is, should one person’s behavior affect those not directly associated with said individual or should “mind your own business” be the way of it? Given that we are all part of the same reality and one’s conduct can influence those of another through direct contact, sensation, observation, or even story-telling, I argue that yes, an individual’s actions are significant to all others exposed to them.
Back to the unaware subject – is it okay to laugh at them if they don’t know or assume you are? My first reaction is yes. If they are neutral in the situation, they contribute zero (0) points to the energy of the universe. Whereas the spectator, who finds joy through the form of laughter, contributes at least one (1) point to the positive energy of the universe. If the subject is unaffected and the spectator amused, would that not seem an appropriate opportunity to laugh? Embrace the situation for what it is, a simple folly by one is a significant positive event in the reality of another. No harm, no foul, right?
The only case in which a situation incites negativity is if the subject of folly becomes embarrassed, guilty, ashamed, angry, sad, or distressed in any way because of said folly. This could occur regardless of whether the subject is aware or unaware they are being laughed at. In the case of the unaware subject, if they become distressed, they are likely feeling one single emotion (i.e. embarrassment, anger, sadness) due to their personal folly. This would naturally contribute one (1) point of negative energy to the universe. The spectator, however, still retains the amusement and thus the one (1) point of positivism. Technically, this becomes a neutral situation (1-1=0), leaving the spectator with their personal moral compass to determine whether it is appropriate to laugh. One could also argue that a distressed subject could inspire sympathy on part of the spectator. If sympathy contributes one (1) point of positive energy, the scales tip towards “appropriate.”  Sympathetic laughter is two (2) points. On the same token, if the spectator is just plain mean and finds further joy in the distress of the subject, then that surely contributes at least one (1) point to the negative energy of the universe. Laughing at another’s folly is not the same as laughing at another’s misfortune or torment. For the purpose of this exercise, let us maintain my personal blind faith in humanity and categorize this situation as “unlikely.” So as it stands, if the subject of folly is oblivious to the fact they are being laughed at, the situation is either neutral or a positive contributor to the energy of the universe, thus making laughter appropriate.
Then comes the subject who is privy to being the subject.  It is much easier to deem laughter in this situation as proper or improper – propriety relies solely on the attitude of the subject. If, after the folly occurs, the subject becomes distressed, one (1) automatic negative energy point is awarded. Upon realizing that they are the topic of another person’s laughter, further distress will likely ensue, increasing the possible amount of negative points generated by the situation. Example: folly occurs, subject becomes sad (-1), subject sees they are being laughed at and becomes angry and embarrassed (-1-1-1 = -3), the spectator is amused (-3+1 = -2), perhaps the subject sympathizes with the subject (-2+1 = -1) or finds joy from misfortune (-2-1 = -3).  Regardless, the best possible scenario would be a neutral situation (1-1 = 0).  In which case, one must side with the distressed subject as it was their personal folly that instigated the situation in the first place; their allocation of universal energy points holds sway over those of the uninvolved bystanders.
Finally, we have the best situation of them all: the celebration of folly. When the subject, the only possible contributor of negative energy (given the assumption that humanity, in general, is not mean), receives joy from his or her own folly, the possible positivism is limitless. When the subject is amused by their own folly, two (2) positive energy points are awarded; one for inciting laughter, another for the humility required to laugh at oneself. Add in the one (1) point for spectator laughter and we are already at three (3) points of positive energy. Then things get interesting.  Since the subject is aware the spectator is laughing at them, and they are laughing at themselves, the two are laughing at the situation together, automatically squaring (32 = 9) the points of positivism, because we all know laughing with someone is exponentially better than laughing alone. Add another spectator (“onlooker”) and this one (1) point of amusement is added to the total of the original situation (3+1 = 4).  Since they are likely laughing together, this total is squared (42 = 16). Do we see a trend here? How far can this actually go? Imagine the subject makes an effort to exhibit their folly. This would require laugher (+1), humility (+1), and now pride (+1) when considering their action, bringing the most fundamental point total of that action to three (3) in favor of positivism. Add a single spectator, including their one (1) point of laughter, and that total is squared. The more spectators and onlookers that contribute positive energy to the situation, the higher the point total will be.  Theoretically, one single act of folly, when embraced by the subject and present to others could create thousands of positive energy points for the universe. This is why we should all celebrate folly. This is also why America’s Funniest Home Videos (AFV) is the most positive show on television. Individuals embracing personal folly and making it available to thousands of others to laugh at their expense is the greatest celebration of folly in the modern world. To calculate the number of positive energy points fashioned during any given episode of AFV is a daunting task, I will not attempt to address it right now.

Moral of the story:  Laugh.  Laugh by yourself, at yourself; laugh with others, at others. Every time you do, that is one (1) point in favor of positivism and, as we just learned, it is easier to multiply that positivism than cancel it with negativity.

TRUE STORY SUPPLEMENT: As I sat in Notre Dame, scribbling down jargon about the mathematics behind comedy at the expense of others, something happened. A young boy was merrily skipping down the aisle of the cathedral, paying little attention to where he was going. His eyes were at his feet, over his shoulder, to the ceiling, everywhere but in front of him. I watched as this lad ran (at a brisk pace) face-first into the rope separating visitors from service attendees. My initial laugh was involuntary – the action itself was funny.  The boy was completely unfazed and I got a rise (0+1 = 1). My laughter faded as my eyes narrowed and I peered around Notre Dame, suspicious of who exactly was listening to my thoughts. Was witnessing this child’s folly at this exact moment a coincidence? Or was it a sign? If it was a coincidence, the timing could not have been better.  If it was a sign… then well played, God, well played.

1 comment:

  1. This reminds me of those times when you're boarding through some fresh powpow and notice the poor soul buried waist deep, desperately trying to dig themselves out of that mess. Surrounded by the beauty of the snowy mountains, intensified by the utter bliss derived from the act of boarding, it's impossible not to let out one of those deep-seated laughs from the core. And surely, we've all been the victim of such follies before as well. I know such memories will continue to contribute such positive energy points for the universe as long as I live! Thanks for the entertainment Leederson

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